Mongolia

LUAP’s work in Mongolia began with a journey through the country’s remote western landscape, where he set out to confront a lifelong fear of horses by learning to ride one. Travelling through the wilderness in temperatures falling to around -15°C, he placed himself in sustained physical contact with the very thing he had previously avoided.

The experience became the starting point for My Little Pony, a body of work whose title draws on childhood memories of the toy and the idealised world those memories represented. In Mongolia, that fantasy met the reality of being on horseback in an extreme landscape. Something once associated with toys, childhood and imagination became immediate, physical and unpredictable.

Photography made during the journey, including encounters with Mongolia’s Eagle Hunters and the surrounding landscape, became source material for later Paintings. Reworked through colour, scale, surface and mark-making, these images move away from straightforward documentation while retaining the physical experience of being there.

Embassy Of Mongolia

Embassy Of Mongolia

LUAP writes for the Embassy of Mongolia in the UK about travelling through western Mongolia with The Pink Bear, reflecting on the physical demands of the journey, the landscape and the experience of making Photography in remote conditions.

diplomat magazine - mongolia

Diplomat Magazine

LUAP writes for Diplomat Magazine’s special publication marking 60 years of diplomatic relations between the UK and Mongolia, reflecting on his horseback journey through western Mongolia with The Pink Bear and the Photography created along the way.

The Eagle Rider, Photography, 2022, from the I Used To Be A Polar Bear series

The Eagle Rider

I Used To Be A Polar Bear, 2022, Giclée, Various, Photography

The Eagle Riders, Photography, 2022, from the My Little Pony series

The Eagle Riders

My Little Pony, 2022, Giclée, Various, Photography

The Mongolian Eagle Riders, Photography, 2022, from the My Little Pony series

The Mongolian Eagle Riders

My Little Pony, 2022, Giclée, Various, Photography

Furgon, Photography, 2022, from the I Used To Be A Polar Bear series

Furgon

I Used To Be A Polar Bear, 2022, Giclée, Various, Photography

Looking, Photography, 2022, from the I Used To Be A Polar Bear series

Looking

I Used To Be A Polar Bear, 2022, Giclée, Various, Photography

The Ups And Downs, Photography, 2022, from the My Little Pony series

The Ups And Downs

My Little Pony, 2022, Giclée, Various, Photography

My Little Pony - no 2, Photography, 2022, from the My Little Pony series

My Little Pony - no 2

My Little Pony, 2022, Giclée, Various, Photography

Time To Reflect And Move Forward, Photography, 2022, from the I Used To Be A Polar Bear series

Time To Reflect And Move Forward

I Used To Be A Polar Bear, 2022, Giclée, Various, Photography

My Little Pony, Photography, 2022, from the My Little Pony series

My Little Pony

My Little Pony, 2022, Giclée, Various, Photography

The Balance Of The Past And The Present, Photography, 2022, from the My Little Pony series

The Balance Of The Past And The Present

My Little Pony, 2022, Giclée, Various, Photography

Herd, Photography, 2022, from the My Little Pony series

Herd

My Little Pony, 2022, Giclée, Various, Photography

Bear Bike - Bayan-Ölgii Aimag of Mongolia, Photography, 2022, from the I Used To Be A Polar Bear series

Bear Bike - Bayan-Ölgii Aimag of Mongolia

I Used To Be A Polar Bear, 2022, Giclée, Various, Photography

DPReview

DPReview

LUAP writes for DPReview about travelling for ten days on horseback through western Mongolia to create new Photography with The Pink Bear, combining the physical demands of the expedition with a desire to document the landscape and its changing traditions.

The Mongolian Wilderness

The Mongolian Wilderness

In my most recent adventure, I embarked on a journey across Mongolia that spanned 10 days, all on horseback, with the sole purpose of capturing new photographic artworks featuring The Pink Bear. This remote and uninhabited landscape, steeped in tradition yet facing the encroachment of modernity, served as the perfect backdrop for my mission.

Exhibitions & Projects